Anonymous. 1957. “Empress Menen Handicraft School.” Ethiopia Observer 1 (3):80–83.
Beier, Ulli. 1982. “Vorwort.” In Populäre Malerei und politische Plakate aus Äthiopien, ed. Wolfgang Bender, pp. 3f. Bayreuth: IWA- LEWA-Haus, Universität Bayreuth.
Bender, Wolfgang. 1984. Äthiopische Volkskunst. Bayreuth: IWALE- WA-Haus, Universität Bayreuth.
Biasio, Elisabeth. 1993. “Contemporary Ethiopian Paintings in Traditional Style: ‘Traditional’, ‘Folk’, or ‘Popular’ Art?” In Proceedings of the Third International Conference on the History of Ethiopian Art (Addis Ababa 1993).
Biasio, Elisabeth. 2006. Heilige und Helden – Äthiopiens zeitgenössische Malerei im traditionellen Stil. Zurich: Neue Zürcher Zeitung.
Chojnacki, Stanislaw. 1978. “Notes on the Ethiopian Traditional Art: The Last Phase.” Ethnologische Zeitschrift Zürich 2:65–81.
Desestrés, Bernard and Constantin Kaiteris. 1987. Peintures populaires éthiopiennes: Alemou – Berhanou – Kana. Croix éthiopiennes. Maillot près Sens (F): Geneviève Thèvenot, Le temps de Voir.
Faber, Paul. 1997. Ethiopisch Panorama – Kleurrijke Schilderijen van Qanna Sambata (1945–1991). Amsterdam: Tropenmuseum.
Forkl, Hermann. 2004. Die andere Moderne Afrikas: Kunst aus den Sammlungen des Linden-Museums Stuttgart. Stuttgart: Linden- Museum Stuttgart.
Girma Fisseha and Walter Raunig. 1985. Mensch und Geschichte in Äthiopiens Volksmalerei. Innsbruck: Pinguin.Frankfurt/Main: Umschau.
Girma Kidane, « Four traditionnal Ethiopian painters and their life history », Proceedings of the First International Conference on the History of Ethiopian Art, Sponsored by the Royal Asiatic Society. Held at the Warburg Institute of the University of London, October 21 and 22, 1986, London, 1989, p. 73-77 (PICHEA1)
H a s s a n , Salah M. and Achamyeleh Debela, Addis Connections: the making of the modern Ethiopian art movement, in: Clémentine Deliss (ed.), Seven Stories about Modern Art in Africa, Flammarion, New York 1996, 127-249.
Mercier, Jacques, Les rouleaux magiques éthiopiens, Seuil, Paris, 1979, 37 p. et 40 planches et commentaires.
Mercier, Jacques, Ethiopian Magic Scrolls, G. Braziller, New York 1979.
Mercier, Jacques, Le roi Salomon et les maîtres du regard. Art et médecine en Éthiopie, Paris, Éditions de la réunion des musées nationaux, 1992, 229 p.
Mercier, Jacques. 1993. “Die traditionelle Malerei in der Zeit der kom- munistischen Mengistu-Regierung (1974–1991).” In Äthiopien in der volkstümlichen Malerei, Girma Fisseha and Walter Raunig, pp. 38f. Stuttgart: Institut für Auslandsbeziehungen.
Mercier, Jacques, Vierges d'Éthiopie, Archange Minotaure, 2004.
Pankhurst, Richard. 1966. “Some Notes for a History of Ethiopian Secular Art.” Ethiopia Observer 10 (1):5–80.
Pankhurst, Richard. 1989. “The Battle of Adwa (1896) as Depicted by Traditional Ethiopian Artists.” In Proceedings of the First International Conference on the History of Ethiopian Art (London 1986), pp. 78–103 London: The Pindar Press.
Ricci, Lanfranco. 1989. Pittura Etiopica Tradizionale. Rome: Istituto Italo-Africano.
Silverman, Raymond A. 1999. “Qes Adamu Tesfaw – A Priest who paints. Painting in the Ethiopian Orthodox Church.” In Ethiopia – Traditions of Creativity, ed. Raymond A. Silverman, pp. 133– 155. East Lansing: Michigan State University Museum. Seattle, London: The University of Washington Press.
Silverman, Raymond A. 2005. Painting Ethiopia – The Life and Work of Qes Adamu Tesfaw. Los Angeles: UCLA Fowler Museum of Cultural History, University of California.
Staude, Wilhelm. 1957. “Iconographie de la légende éthiopienne de la reine d’Azieb ou de Saba.” Journal de la Société des Africanistes 27 (1):137–181.
Vasconcelos e Melo, Ana. 2001. “Jembere Hailu, una nota biográfica.” In Jembere Hailu: Pinturas – Arte contemporãnea Etíope, ed. Manuel João Ramos, no pages. Lisbon: Culturgest – Uma casa do Mondo.